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The Sound Blaster family of sound cards was the de facto standard for consumer audio on the IBM PC compatiblesystem platform, until the widespread transition to Microsoft Windows 95, which standardized the programming interface at application level (eliminating the importance of backward compatibility with Sound Blaster), and the evolution in PC design led to onboard audio electronics, which commoditized PC audio functionality. By 1995, Sound Blaster cards had sold over 15 million units worldwide and accounted for seven out of ten sound card sales.^[1]

The creator of Sound Blaster is the Singapore-based firm Creative Technology Limited, also known by the name of its United States subsidiary, Creative Labs.

Get more out of Sound Blaster Roar. The Sound Blaster Control Panel is a must-have software application for you to calibrate and customize every aspect of the Sound Blaster Roar's audio settings when it is connected to your PC or Mac via USB, letting you get the most out of your speaker's audio. This download contains the software(s) and application(s) for Sound Blaster® Z-Series. For more details, read the rest of this web release note.

• 1Creative Music System and Game Blaster
• 2First generation Sound Blasters, 8-bit ISA & MCA cards
  • 2.1Sound Blaster 1.0, CT1310, CT1320A, CT1320B
• 3Second-generation Sound Blasters, 16-bit ISA & MCA cards
• 4Third generation Sound Blasters, 16-bit ISA cards
• 5Fourth generation Sound Blasters, 16-bit ISA cards, dynamic sample-based synthesis
• 6Fifth generation Sound Blasters, PCI cards, multi-channel and F/X
• 7Sixth generation Sound Blaster Sound Core3D cards
• 9Sound BlasterX Series
  • 9.1BlasterX Acoustic Engine
  • 9.3Sound BlasterX USB Audio Devices
• 10Connectors

Creative Music System and Game Blaster[edit]

Creative Music System[edit]

The history of Creative sound cards started with the release of the Creative Music System ('C/MS') CT-1300 board in August 1987. It contained two Philips SAA1099 circuits, which, together, provided 12 channels of square-wave 'bee-in-a-box' stereo sound, 4 channels of which can be used for noise.

These circuits were featured earlier in various popular electronics magazines around the world. For many years Creative tended to use off-the-shelf components and manufacturers' reference designs for their early products. The various integrated circuits had white or black paper stickers fully covering their top thus hiding their identity. On the C/MS board in particular, the Philips chips had white pieces of paper with a fantasy CMS-301 inscription on them: real Creative parts usually had consistent CT number references.

Surprisingly, the board also contained a large 40-pin DIP integrated circuit, bearing a CT 1302A CTPL 8708 (Creative Technology Programmable Logic) serigraphed inscription and looking exactly like the DSP of the later Sound Blaster. This chip allows software to automatically detect the card by certain register reads and writes.

Game Blaster[edit]

A year later, in 1988, Creative marketed the C/MS via Radio Shack under the name Game Blaster. This card was identical in every way to the precursor C/MS hardware. Whereas the C/MS package came with five floppy disks full of utilities and song files, Creative supplied only a single floppy with the basic utilities and game patches to allow Sierra Online's games using the Sierra Creative Interpreter engine to play music with the card and it also included a later revision of the game Silpheed that added C/MS support.

In 2017 hobbyists developed a clone CT1300 PCB.^[2]

First generation Sound Blasters, 8-bit ISA & MCA cards[edit]

Sound Blaster 1.0, CT1310, CT1320A, CT1320B[edit]

The Sound Blaster 1.0 (code named 'Killer Kard'),^[3] CT1320A, was released in 1989. In addition to Game Blaster features, it had an 11-voice FM synthesizer using the Yamaha YM3812 chip, also known as OPL2. It provided perfect compatibility with the market leader AdLib sound card, which had gained support in PC games in the preceding year. Creative used the 'DSP' acronym to designate the digital audio part of the Sound Blaster. This actually stood for Digital Sound Processor, rather than the more common digital signal processor, and was really a simple micro-controller from the IntelMCS-51 family (supplied by Intel and Matra MHS, among others). It could play back 8-bit monauralsampled sound at up to 23 kHzsampling frequency and record 8-bit at up to 12 kHz. The sole DSP-like features of the circuit were ADPCM decompression and a primitive non-MPU-401 compatible MIDI interface. The ADPCM decompression schemes supported were 2 to 1, 3 to 1 and 4 to 1. The CT1320B variety of the Sound Blaster 1.0 typically has C/MS chips installed in sockets rather than soldered on the PCB, though units do exist with the C/MS chips soldered on.^[4]

Some sources note that the original Sound Blaster 1.0 was produced under the CT1310 number. This however is a topic of ongoing debate. Creative refers to CT1310 for the Sound Blaster 1.0 on its website.^[5][6][7]

In spite of these limitations, in less than a year, the Sound Blaster became the top-selling expansion card for the PC. It achieved this by providing a fully AdLib-compatible product, with additional features, for the same, and often a lower price. The inclusion of the game port, and its importance to its early success, is often forgotten or overlooked. PCs of this era did not include a game port. Game port cards were costly (around $50) and used one of the few expansion slots PCs had at the time. Given the choice between an AdLib card or a fully compatible Sound Blaster card that came with a game port, saved a slot, and included the 'DSP' for not much more in price, many consumers opted for the Sound Blaster. In-game support for the digital portion of the card did not happen until after the Sound Blaster had gained dominance.

When Microsoft announced Multimedia PC (MPC) in November 1990, it suggested to developers that they use the Sound Blaster as it was the only sound card that came close to complying with the MPC standard. The press speculated that Microsoft based the MPC standard on the Sound Blaster's specifications.^[8] By 1993 Computer Gaming World wondered 'why would a gamer' buy a competing AdLib card that was not Sound Blaster-compatible.^[9] Creative advertised the Sound Blaster 16 ('the 16-bit sound standard') with the slogan 'Get Real', emphasizing its 'real 100% Sound Blaster compatibility' and rhetorically asking 'why those other manufacturers spend so much time comparing themselves to Sound Blaster'.^[10]

Reception[edit]

Compute! in 1989 stated that with Sound Blaster, 'IBM-compatible computers have taken the lead in sound and music for personal computers'. Naming it a Compute! Choice, the magazine described the quality of the opening music of Space Quest III with the card as 'extraordinary', praising the quality compared to the Roland MT-32 and Ad Lib versions. Compute! approved of the card's DMA and Creative's dissemination of technical information, and concluded that while the more-expensive MT-32 was superior, Sound Blaster's audio quality was better than that of Ad Lib or Game Blaster.^[11]

Sound Blaster 1.5, CT1320C, CT1320U[edit]

Released in 1990, the Sound Blaster 1.5, CT1320C, dropped the C/MS chips, which were no longer popular with game developers. Instead, the board had two empty sockets, which could be user upgraded by purchasing the C/MS chips directly from Creative or Phillips SAA-1099s from another source. Otherwise the card functions identically to the Sound Blaster 1.0.^[12] The CT1320U variety has the same layout as the CT1320C.^[13]

Sound Blaster 2.0, CT1350[edit]

The final revision of the original Sound Blaster, the Sound Blaster 2.0 was released in October 1991,^[14] CT1350, added support for 'auto-init' DMA, which assisted in producing a continuous loop of double-buffered sound output. Similar to version 1.0 and 1.5, it used a 1-channel 8-bit DAC. However, the maximum sampling rate was increased to 44 kHz for playback, and 15 kHz for record. The DSP's MIDI UART was upgraded to full-duplex and offered time stamping features, but was not yet compatible with the MPU-401 interface used by professional MIDI equipment. The Sound Blaster 2.0's PCB-layout used more highly integrated components, both shrinking the board's size and reducing manufacturing cost.

Owners of previous revision Sound Blaster boards could upgrade their board by purchasing the V2.00 DSP chip from Creative Labs, and swapping the older DSP V1.0x with the newer replacement. The upgraded board gained the auto-init DMA and new MIDI capabilities of the Sound Blaster 2.0 but not the expanded sampling rates. The upgrade was necessary for full compatibility with the Windows 3.0 Multimedia Extensions upgrade.

Sound Blaster MCV, CT5320[edit]

Sound Blaster MCV, CT5320, was a version created for IBMPS/2 model 50 and higher and their ISA-incompatible Micro Channel Architecture bus. The MCV Sound Blaster has some issues outputting audio while running on PS/2s with CPUs running faster than 16 MHz. However, the joystick interface is still inoperable on PS/2s it was designed for due to the slow-speed Schottky chips that have been installed. None of these timing issues affect the Yamaha YM3812. Some of the MCV Sound Blasters were released with faster Schottkys which eradicated some of the problems.^[15]

Second-generation Sound Blasters, 16-bit ISA & MCA cards[edit]

Sound Blaster Pro, CT1330[edit]

Model CT1330, announced in May 1991, was the first significant redesign of the card's core features, and complied with the Microsoft MPC standard.^[8]. The Sound Blaster Pro supported faster digital input and output sampling rates (up to 22.05 kHz stereo or 44.1 kHz mono), added a 'mixer' to provide a crude master volume control (independent of the volume of sound sources feeding the mixer), and a crude high pass or low pass filter. The Sound Blaster Pro used a pair of YM3812 chips to provide stereo music-synthesis (one for each channel). The Sound Blaster Pro was fully backward compatible with the original Sound Blaster line, and by extension, the AdLib sound card. The Sound Blaster Pro was the first Creative sound card to have a built-in CD-ROM interface. Most Sound Blaster Pro cards featured a proprietary interface for a Panasonic (Matsushita MKE) drive. The Sound Blaster Pro cards are basically 8-bit ISA cards, they use only the lower 8 data bits of the ISA bus. While at first glance it appears to be a 16-bit ISA card, it does not have 'fingers' for data transfer on the higher 'AT' portion of the bus connector. It uses the 16-bit extension to the ISA bus to provide the user with an additional choice for an IRQ (10) and DMA (0)m channel only found on the 16-bit portion of the edge connector.

A short lived joint developed project between Creative and Tandy resulted in the Creative/Tandy Multimedia Sound Adapter, 849-3030. This Sound Blaster Pro derived card was factory installed in Tandy Multimedia PCs. It combined the CT1330 with Tandy joystick and MIDI ports (not MPU-401 compatible).^[16]

Sound Blaster Pro 2, CT1600[edit]

The revised version, the Sound Blaster Pro 2, CT1600, replaced the YM3812s with a more advanced Yamaha YMF262 (OPL3). Otherwise it is functionally identical to the original Sound Blaster Pro. Shortly after the release of the Sound Blaster Pro 2 version, Creative discontinued the original Sound Blaster Pro.

The Sound Blaster Pro 2 was also sold with the following on-board CD-ROM controllers:

• Sound Blaster Pro 2, SCSI, CT1610
• Sound Blaster Pro 2, LMSI, CT1620
• Sound Blaster Pro 2, Sony, CT1690
• Sound Blaster Pro 2, Mitsumi, CT2600

Packaged Sound Blaster cards were initially marketed and sold into the retail-channel. Creative's domination of the PC audiocard business soon had them selling the Sound Blaster Pro 2 OEM, CT1680, to customers for integration into pre-assembled PCs.

Creative also sold Multimedia Upgrade Kits containing the Sound Blaster Pro. The kit bundled the sound card, a Matsushita CD-ROM drive (model 531 for single-speed, or 562/3 for the later double-speed (2x) drives), and several CD-ROMs of multimedia software titles. As CD-ROM technology was new, the kit included CD-ROM software, representing a very good value to customers. One such kit, named 'OmniCD', included the 2x Matsushita drive along with an ISA controller card and software, including Software Toolworks Encyclopedia and AldusPhotoStyler SE. It was compliant with the MPC Level 2 standard.

Sound Blaster Pro 2 MCV, CT5330[edit]

The Sound Blaster Pro 2 MCV, CT5330, was a version created for IBMPS/2 model 50 and higher and their MicroChannel bus.

Third generation Sound Blasters, 16-bit ISA cards[edit]

Sound Blaster Software Windows 7

Sound Blaster 16[edit]

The next model, the Sound Blaster 16, announced in June 1992, introduced:

• 16-bit CD-quality digital audio sampling;
• An MPU-401 compatible UART;
• A socket for the optional Advanced Signal Processor or Creative Signal Processor chip (ASP or later CSP); and
• A connector for the Wave Blaster, a 'Wavetable' daughterboard (sample-based synthesis).

The Sound Blaster 16 retained the Yamaha OPL-3 for FM synthesis and a backward compatible programming interface, so most software titles written for the older Sound Blasters and Sound Blaster Pros would run without modification.

Eventually this design proved so popular that Creative made a PCI version of this card. Creative's audio revenue grew from US$40 million per year to nearly US$1 billion following the launch of the Sound Blaster 16 and related products. Rich Sorkin was General Manager of the global business during this time, responsible for product planning, product management, marketing and OEM sales. Moving the card off the ISA bus, which was already approaching obsolescence, this meant that no line for host-controlled ISA DMA was available, as the PCI slot offers no such line. Instead, the card used PCI bus mastering to transfer data from the main memory to the D/A converters. Since existing DOS programs expected to be able to initiate host-controlled ISA DMA for producing sound, backward compatibility with the older Sound Blaster cards for DOS programs required a software driver work-around; since this work-around necessarily depended on the virtual 8086 mode of the PC's CPU in order to catch and reroute accesses from the ISA DMA controller to the card itself, it failed for a number of DOS games that either were not fully compatible with this CPU mode or needed so much free conventional memory that they could not be loaded with the driver occupying part of this memory. In Microsoft Windows, there was no problem, as Creative's Windows driver software could handle both ISA and PCI cards correctly.

Sound Blaster ViBRA16[edit]

The Sound Blaster ViBRA16 was an inexpensive single-chip implementation of the Sound Blaster 16 for the OEM market. Creative Labs also used this chip for the Sound Blaster 32, Phone Blaster and Phone Blaster 28.8 (VIBRA + modem, CT3120 and CT3220.) and many other value-edition cards. External Yamaha OPL3 FM music synthesis was retained in earlier boards built around the ViBRA16 or ViBRA16s controllers, whilst the later (and more common) ViBRA16 boards used CQM (Creative Quadratic Modulation) developed by E-mu Systems. This series included the ViBRA16 (CT2501), ViBRA16s (CT2502, CT2504), ViBRA16c (CT2505) PnP and ViBRA16XV (CT2511) chips. The primary advantage of the ViBRA16 was the inclusion of a 14.4 kbit/s telephony Modem; it also functioned as a telephone.

Fourth generation Sound Blasters, 16-bit ISA cards, dynamic sample-based synthesis[edit]

Sound Blaster AWE32[edit]

Released in March 1994, the Sound Blaster AWE32 (Advanced WavEffects) introduced an all new MIDI synthesizer section based on the EMU8000. The AWE32 consisted of two distinct audio sections; the Creative digital audio section (audio codec, optional CSP/ASP chip socket, Yamaha OPL3), and the E-mu MIDI synthesizer section. The synthesizer section consisted of the EMU8000 sampler and effects processor, an EMU8011 1 MB sample ROM, and 512 KB of sample RAM (expandable to 28 MB). To fit the new hardware, the AWE32 was a full-length ISA card, measuring 14 in (360 mm).

Sound Blaster 32[edit]

A derivative of the AWE32 design, the Sound Blaster 32 (SB32) was a value-oriented offering from Creative. Announced on June 6, 1995, the SB32 became the new entry-level card in the AWE32 product-line (previously held by the AWE32 Value.) The SB32 retained the AWE32's EMU8000/EMU8011 MIDI-synthesis engine and built-in instrument ROM, but dropped the onboard RAM, the Wave Blaster header, and the CSP port. The SB32 used the Vibra chip to reduce component count, which meant bass/treble/gain control was limited compared to the AWE32. The loss of onboard RAM is offset by the inclusion of 30-pin SIMM RAM sockets, which allow up to 28 MB RAM to be installed and used by the EMU engine.

Sound Blaster AWE64[edit]

The AWE32's successor, the Sound Blaster AWE64 (November 1996), was significantly smaller, being a 'half-length ISA card' (that term is misleading — see the pictures for size comparison). It offered similar features to the AWE32, but also had a few notable improvements, including support for greater polyphony, although this was a product of 32 extra software-emulated channels. The 30-pin SIMM slots from AWE32/SB32 were replaced with a proprietary memory format which could be (expensively) purchased from Creative.

The main improvements were better compatibility with older SB models, and an improved signal-to-noise ratio. The AWE64 came in two versions: A standard version (later rebranded as Value) with 512KB of RAM and a Gold version with 4 MB of RAM and a separate S/PDIF output.

Fifth generation Sound Blasters, PCI cards, multi-channel and F/X[edit]

Ensoniq AudioPCI-based cards[edit]

In 1998, Creative acquired Ensoniq Corporation, manufacturer of the AudioPCI, a card popular with OEMs at the time. It was a full-featured solution with wavetable MIDI (sample-based synthesizer), 4-speaker DirectSound3D surround sound, A3D emulation, and DOSlegacy support via a TSR program. It was cheap due to lack of hardware acceleration. It is full-duplex but at least in MS Windows cannot play back several sources at once.

Creative released many cards using the original AudioPCI chip, Ensoniq ES1370, and several boards using revised versions of this chip (ES1371 and ES1373), and some with Creative-labeled AudioPCI chips. Boards using AudioPCI tech are usually easily identifiable by the board design and the chip size because they all look quite similar. Such boards include Sound Blaster PCI64 (April 1998), PCI128 (July 1998), Creative Ensoniq AudioPCI, Vibra PCI and Sound Blaster 16 PCI.

An ES137x chip contains 3 stereo sample rate converters, some buffers and a PCI busmaster interface. Analogue interfacing is done by a codec chip, which runs at a fixed sampling frequency of 44 (Ensoniq Audio PCI) or 48 kHz (Creative's versions). (ISA soundcards had not resampled but switched between different time bases.) ES137x do not support SoundFonts but a filter-less MIDI engine with wavetable (sample table) sets of 2, 4, and 8MB size.

Sound Blaster Live![edit]

When the Sound Blaster Live! was introduced in August 1998, the use of a programmable digital signal processor in PC-audio was not unprecedented, as IBM had already done that with cheap Mwave sound- & modem-cards and Turtle Beach with their professional Hurricane soundcards.

The Live! was built around Creative's new EMU10K1 chip, which contained 2.44 million transistors and was advertised of processing a flashy 1,000 MIPS. The EMU10K1 (and its successors) did not use on-card RAM/ROM storage for instrument samples, instead it used a PCI busmaster interface to access sample-data stored in the host-PC's system memory. A/D- and D/A- converters as well as analogue mixing is done by an AC'97 chip running at 48 kHz sampling rate. All members of the SB Live! family have at least four-channel analog audio outputs and a 15-pin MIDI/Joystick multiport.

For game titles, EAX 1.0 (and later 2.0) (environmental audio extensions, which briefly competed with the now defunct A3D 2.0) added hardware-accelerated acoustic effects. The EMU10K1 provided high-quality 64-voice sample-based synthesizer (a.k.a. wavetable), with self-produced or third-party customized patches or 'Soundfonts', and the ability to resample the audio output as input and apply a range of real-time DSP effects to any set of audio subchannels present in the device.

The first model and flagship of the SB/Live family was the SB Live! Gold. Featuring gold tracings on all major analog traces and external sockets, an EMI-suppressing printed circuit board substrate and lacquer, the Gold came standard with a daughterboard that implemented a separate 4-channel alternative mini-DIN digital output to Creative-branded internal-DAC speaker sets, a S/P-DIF digital audio Input and Output with separate software mappings, and a fully decoded MIDI interface with separate Input and Output (along with on mini-DIN converter.) The Gold highlighted many features aimed at music composition; ease-of-use (plug-and-play for musicians), realtime loopback-recording of the MIDI-synthesizer (with full freedom of Soundfonts, and environmental effects such as reverb, etc.), and bundled MIDI-software.

The mainstream model was the Sound Blaster Live! Like the Gold, the Live featured multi-speaker analog output (up to four channels), and identical music/sound generation capabilities (without the bundled MIDI software and interfacing-equipment.)

Later versions of the Live!, usually called Live! 5.1, offered 5.1-channel support which adds a center channel speaker and LFE subwoofer output, most useful for movie watching. The Live! 5.1 could also use one of the 3.5 mm jack ports as an SPDIF out, which allowed the connection of an external decoder.

Creative also released a Sound Blaster Live! Player 1024 edition, which is identical to the regular Sound Blaster Live!, but with the addition of some extra software.

Sound Blaster PCI 512[edit]

The Sound Blaster PCI 512 (CT4790) is an EMU10K1-based sound card designed to fill a lower cost segment than the Live! Value. It is capable of most of the Live! Value's features aside from being limited to 512 MIDI voice polyphony (a software-based limitation), lacking digital I/O, removal of expansion headers, and only stereo or quadraphonic output support. The card's circuit layout is somewhat simpler than that of the Live! series.^[17][18]

Sound Blaster Audigy[edit]

The Sound Blaster Audigy (August 2001) featured the Audigy processor (EMU10K2), an improved version of the EMU10K1 processor that shipped with the Sound Blaster Live!. The Audigy could process up to four EAX environments simultaneously with its upgraded on-chip DSP and native EAX 3.0 ADVANCED HD support, and supported up to 5.1-channel output.

The Audigy was controversially advertised as a 24-bit sound card. The EMU10K2's audio transport (DMA engine) was fixed at 16-bit sample precision at 48 kHz (like the EMU10K1 in the original Live!), and all audio had to be resampled to 48 kHz in order to be accepted by the DSP (for recording or rendering to output.)

Sound Blaster Audigy 2 (September 2002) featured an updated EMU10K2 processor, sometimes referred to as EMU10K2.5, with an improved DMA engine capable of 24-bit precision. Up to 192 kHz was supported for stereo playback/record, while 6.1 was capped at 96 kHz. In addition, Audigy 2 supported up to 6.1 (later 7.1) speakers and had improved signal-to-noise ratio (SNR) over the Audigy (106 vs. 100 decibels (A)). It also featured built-in Dolby Digital EX 6.1 and 7.1 decoding for improved DVD play-back. The Audigy 2 line were the first sound cards to receive THX certification.

Sound Blaster Audigy 2 ZS (September 2003) is essentially an Audigy 2 with updated DAC and op-amps. Audigy 2 ZS uses the Cirrus Logic CS4382 DAC together with the op-amps and can produce an output SNR of 108 dB. There were a few slight printed circuit board modifications and 7.1 audio support was added.

Sound Blaster Audigy 4 Pro (November 2004)^[19] was an Audigy 2 ZS with updated DACs and ADCs, the new DAC being the Cirrus Logic CS4398, boosting the output SNR to 113 dB. Other than a breakout box, it has no distinguishable difference from the Audigy 2 ZS. The DSP is identical to the Audigy 2 ZS's but Creative put an 'Audigy 4' sticker to cover the chip, making it appear as if it is a new chip. The Audigy 4 Pro is not to be confused with the Audigy 4 (Value) which contains lower quality DACs and does not have golden plated jacks. The Audigy 4 (Value) is more in line with the Audigy 2 Value series. The Audigy 4 had a shorter life span than its predecessors, due to the short window between it and the next-generation Sound Blaster X-Fi.

Sound Blaster Audigy Rx (September 2013) is similar to the Audigy 4 Pro but with a dedicated 600-ohm headphone amplifier and a PCIe 1x interface.^[20]Sound Blaster Audigy Fx (September 2013) also features a 600-ohm amplifier and a PCIe interface, but lacks the EMU10K DSP.^[21]

Sound Blaster X-Fi[edit]

The X-Fi (for 'Extreme Fidelity') was released in August 2005 and as of 2012 came in XtremeGamer, Titanium, Titanium Fatal1ty Professional, Titanium Fatal1ty Champion and Elite Pro configurations. The 130 nmEMU20K1 (or EMU20K2 for Titanium series models) audio chip operates at 400 MHz and has 51 million transistors. The computational power of this processor, i.e. its performance, is estimated as 10,000 MIPS, which is about 24 times higher than the estimated performance of its predecessor, the Audigy processor. Beginning with the 2008 Titanium models, newer X-Fi cards switched from PCI to PCI Express x1 connectors. With the X-Fi's 'Active Modal Architecture' (AMA), the user can choose one of three optimization modes: Gaming, Entertainment, and Creation; each enabling a combination of the features of the chipset. The X-Fi uses EAX 5.0 which supports up to 128 3D-positioned voices with up to four effects applied to each. This release also included the 24-bit crystallizer, which is intended to pronounce percussion elements by placing some emphasis on low and high pitched parts of the sound. The X-Fi, at its release, offered some of the most powerful mixing capabilities available, making it a powerful entry-level card for home musicians. The other big improvement in the X-Fi over the previous Audigy designs was the complete overhaul of the resampling engine on the card. The previous Audigy cards had their DSPs locked at 48/16, meaning any content that did not match was resampled on the card in hardware; which was done poorly and resulted in a lot of intermodulation distortion. Many hardcore users worked around this by means of resampling their content using high quality software decoders, usually in the form of a plugin in their media player. Creative completely re-wrote the resampling method used on the X-Fi and dedicated more than half of the power of the DSP to the process; resulting in a very clean resample.^{[citation needed]}

Sixth generation Sound Blaster Sound Core3D cards[edit]

Sound Blaster Recon3D[edit]

The Recon3D series was announced in September 2011 and includes the Recon3D PCIe, Recon3D Fatal1ty Professional and Recon3D Fatal1ty Champion. The cards use the new integrated Sound Core3D chip, which features the Quartet DSP from the X-Fi series as well as integrated DAC, ADC and I/O interface in a 56-pin package.^[22] The Asia-only Recon3D Professional Audio is basically a Recon3D PCIe with some extra accessories such as cables.^[23]

The Recon3D series of sound cards do not support ASIO.^[24]

The Recon3D comes with a bundled software called the SBX Pro Studio. SBX Pro Studio allows users to adjust the amount of virtual Surround, Crystallizer, Bass, Smart Volume and Dialog Plus for their Recon3D sound cards.^[25] The Recon3D also has got the Crystal Voice feature that reduces the pickup of background noises like the hairdryer or vacuum cleaner when a beamforming microphone is used.^[26]

Reviews have been generally positive, but pricing and small model differences have raised questions. Especially the low and mid priced models Recon3D PCIe and Recon3D Fatal1ty Professional have only cosmetic differences, but considerable price difference: the Fatal1ty Professional, adds a beamforming microphone, some red LED lights and a metal shroud over the board, but has no real hardware improvements.^[27][28]

Sound Blaster Z-Series[edit]

The Sound Blaster Z-Series was announced in August 2012 and includes the PCI Express x1 cards, Z, Zx and ZxR which use the same Sound Core3D chip as the previous Sound Blaster Recon3D series.^[29] The Z-Series improved sound quality over the Recon3D series by including more dedicated audio hardware such as Op-Amps, DACs, and ADCs.^[30]

• The Sound Blaster Z is the baseline card of the series. Some of its main features are Cirrus Logic 116 dB signal-to-noise ratio (SNR) digital-to-analog converters (DACs), a dedicated headphone jack with 600 ohm amplifier, and is bundled with a Beamforming Microphone that captures sound in a specific direction. One can switch between listening with headphones and desktop speakers in the Sound Blaster Z Control Panel. This card has a red color theme with a red LED light on the board. In addition to the red model, there is an OEM version that lacks the LED light, metal shielding and bundled microphone.
• The Sound Blaster Zx card is identical to the Z^[31] (exact same card, exact same card SKU/Model (SB1500) on card itself, compared side by side in store), with the only notable change compared to the baseline 'Z' being the addition of the desktop ACM (Audio Control Module). The Zx & ZxR were both bundled with the Audio Control Module (ACM) which is basically an extension cord for headphones. The ACM contains both 1/4' and 3.5mm headphone and microphone jacks, a potentiometer headphone volume knob, and a built-in dual-microphone Beamforming array. The ACM uses a red color theme that matches the card. The entire package (Card and ACM) carries a separate model number of SB1506, which is different than the base SB1500 printed on the included card (as the card is just a SB-Z now bundled with accessories). ^[32]
• The Sound Blaster ZxR is the top of line sound card of the series and uses an entirely different card from the Z and Zx. Some of its features include TI Burr-Brown 124 dB SNR DACs, two swappable op-amps, a 600ohm 80 mW TI TPA6120 headphone amplifier, and 192 kHz stereo pass through. The Sound Blaster ZxR comes with a daughter board which provides optical S/PDIF input and output, and two RCA inputs that feature a TI Burr-Brown 123 dB SNR analog-to-digital converter (ADC); it has its own Sound Core3D processor and takes up a second expansion slot in the computer if installed. The ZxR can record up to 24-bit/96 kHz. The ACM and two boards (main and daughter) have a black color scheme with no LED lighting.

Sound BlasterX AE-5[edit]

The Sound BlasterX AE-5 was announced in June 2017, the first discrete sound card made by Creative in five years since the introduction of the Z-series. The card is the first in the Sound Blaster series to use a 32-bit/384 kHz SABRE 32 Ultra DAC (ES9016K2M), along with a custom-designed discrete headphone amplifier (1W output power and low output impedance of 1 Ohm so it can provide high damping factor for virtually any dynamic headphone). The card has an additional RGB lighting courtesy of a MOLEX power connection and accompanying RGB LED strip.^[33][34] In late 2017, a white colored model of the sound card called the Sound BlasterX AE-5 Pure Edition was released with 4 RGB LED strips instead of one with the standard black model.^[35]

Sound Blaster AE-7[edit]

The Sound Blaster AE-7 was released in July 2019 alongside the Sound Blaster AE-9.^[36]It is equipped with an ESS SABRE 9018 DAC^[37], and it features an ACM (Audio Control Module), which connects to the sound card via two of the audio ports available on the card itself^[38]. It doesn't feature RGB lighting, contrary to the AE-5, and it doesn't require external power either.

Sound Blaster AE-9[edit]

The Sound Blaster AE-9 was announced in December 2018, targeting the audiophile audience.^[39] This soundcard is equipped with an ESS SABRE 9038 DAC^[40], and it features an external Audio Control Module which connects to the sound card with a mini-HDMI cable^[41], containing an XLR port for a microphone and a toggleable 48 volt phantom power rail; the sound card itself features replaceable operational amplifiers. The sound card with the external DAC consumes 75W, and thus is the first sound card from Creative that requires auxiliary power, using a 6-pin PCI-E connector to supply power to the external DAC.The card was officially released on July 10, 2019 to celebrate 30 years since introduction of the original Sound Blaster.^[36]

USB Audio Devices[edit]

• Sound Blaster Extigy
• Sound Blaster MP3+
• Sound Blaster Audigy 2 NX
• Sound Blaster X-Fi USB
• Sound Blaster X-Fi HD USB
• Sound Blaster X-Fi GO! Pro
• Sound Blaster X-Fi Surround 5.1 Pro
• Sound Blaster Digital Music Premium HD
• Sound BlasterAxx SBX 8 / SBX 10 / SBX 20
• Sound Blaster Play!
• Sound Blaster Play! 2
• Sound Blaster Play! 3
• Sound Blaster Omni Surround 5.1
• Sound Blaster R3
• Sound BlasterAxx AXX 200
• Sound Blaster Roar
• Sound Blaster Roar 2
• Sound Blaster E1 / E3 / E5
• Sound Blaster JAM
• Sound Blaster X7 Limited Edition
• Sound Blaster FRee

Sound BlasterX Series[edit]

The Sound BlasterX series was announced at Gamescom 2015.^[42]The Sound BlasterX brand consists of USB audio devices, gaming headsets, gaming mousepads, gaming speakers, a discrete sound card, a gaming mouse and a gaming keyboard.

BlasterX Acoustic Engine[edit]

BlasterX Acoustic Engine Lite[edit]

The Sound BlasterX H3, H5 and P5 come with the BlasterX Acoustic Engine Lite software. The BlasterX Acoustic Engine Lite software comes with preset audio profiles for different game types. The settings in the profiles are not adjustable unlike the BlasterX Acoustic Engine Pro.^[43]The BlasterX Acoustic Engine Lite software is only available for Windows PC.

BlasterX Acoustic Engine Pro[edit]

The BlasterX Acoustic Engine Pro allows users to adjust the amount of effects and save them. It also has Scout Mode and Voice FX. Users can bind key combinations to enable/disable BlasterX Acoustic Engine, Scout Mode and Voice FX.

There is also an equalizer tab in the software.^[44] Users can load profiles and create profiles in the equalizer.The BlasterX Acoustic Engine Pro software is available only for Windows PC.

Sound BlasterX Gaming Headsets[edit]

The Sound BlasterX H3, Sound BlasterX H5 are headsets with 3.5mm audio jacks. The Sound BlasterX P5 is an earphone with an inline microphone. They come with an audio/mic splitter cable. The Sound BlasterX H3, H5 and P5 come with a software called the BlasterX Acoustic Engine Lite.

The Sound BlasterX H7 is a gaming headset with USB and 3.5mm jack connectivity. It has a maximum playback bitrate and sample rate at 24-bit / 96 kHz and supports 7.1 virtual surround. The Sound BlasterX H7 comes with the BlasterX Acoustic Engine Pro software.

Sound BlasterX USB Audio Devices[edit]

Sound BlasterX G5[edit]

Unlike the Sound Blaster E5, it does not have built-in microphones, rechargeable battery and Bluetooth connectivity. BlasterX Acoustic Engine profiles can be saved onto the device in Windows and used on a Mac computer. There is no Mac OS X software as well as Android iOS apps for the Sound BlasterX G5.

Sound BlasterX G1[edit]

The Sound BlasterX G1 uses the BlasterX Acoustic Engine Pro software like the Sound BlasterX G5. It has 4-pole headphones and a microphone audio port. It has a maximum playback bitrate and sample rate at 24-bit / 96 kHz and supports 7.1 virtual surround. Its headphones amplifier supports headphones with impedances from 16 ohms to 300 ohms.^[45]

The Sound BlasterX G1 does not have the SB-Axx1 audio chip and is not able to save profiles from the BlasterX Acoustic Engine to the device. It is able to save profiles from the X-Plus Configurator running X-Plus Mode. The X-Plus Configurator software is only available for Windows PC.

The profiles in the X-Plus Configurator apply equalizer settings tuned for certain games.^[46]

The Sound BlasterX G1 does not support 'What U Hear'.

Connectors[edit]

External Connector[edit]

Sound Blaster cards since 1999 conform to Microsoft's PC 99 standard for color-coding the external connectors as follows:

Up until the AWE line in 1994, Creative cards have short text inscriptions on the backplane of the card, indicating which port does what (i.e. Mic, Spk, Aux In, Aux Out). On later cards, the text inscriptions were changed to icons. With the latest cards from Creative, the cards were changed to use numbers as the ports are flexi-jacks and can have different functions assigned to them at run-time (i.e. changed from speaker output to mic in), but a color overlay sticker is included with retail units to help consumers identify the commonly used functions of the ports in their default modes.

Internal Pin Connector and Jumper[edit]

A lot of audio/data pin connectors and jumpers-setting is present in the internal body of the sound blaster, different from card to card, and along the years of productions.^[47]

most common pin connector:

• Audio CD-IN, CD SPDIF and AUX-In
• CD-Rom drive connection
• Pc Speaker
• TAD (Telephone Answering Device) connector
• MB_PRO (Modem Blaster connector)
• Wave Blaster Header

most common pin jumper setting (especially before plug-and-play features):

• Sound Card Base Address/IRQ/DMA
• Line or Speaker output
• Midi
• Joystick

Driver software modification (soft mod)[edit]

Some drivers from the Audigy 2 ZS have been soft-modded by enthusiasts. These can be installed on Creative's older cards, including Sound Blaster Live!, Audigy, and Audigy 2. It has been claimed to offer improved sound quality, hardware acceleration of higher EAX versions in games, 64-channel mixing for Audigy 1, and an overall improvement in the card's performance. Several forum posts across the web have reported favorable results with this technique, excepting Live! users where the drivers only add the ability to use the newer software applications (i.e. the newer mixer applet). Comments on forums from developers of the software mod have said that Live!'s hardware is not capable of EAX3 nor 64-channels of hardware sound mixing.

Later, in 2004, Creative released updated drivers top-to-bottom for the Audigy through Audigy 4 line that put these cards basically at feature parity on a software level. As of 2006, the entire Audigy lineup uses the same driver package. DSP decoding at the driver level on other cards than Audigy 2 ZS and 4 is still not supported by official drivers, but it works with soft-modded drivers on the other cards with hardware DSP (like Audigy 2 6.1).

When Windows Vista was released, there was only a single beta driver for the Creative Audigy series that was usable on the operating system with minimal functionality and frequent instability reported by users. A Creative Forum activist named Daniel K. modified drivers from the X-Fi and applied it to the Audigy and Live! series, restoring most if not all of the features that came with the original XP setup CD in Vista. X-Fi drivers have noticeably better sound quality under Vista, and more bug fixes because of the newer build (last modified version is 2.15.0004EQ April). He managed to enable the X-Fi Crystallizer to work on Audigy series cards in software, however because of the patents involved, he was forced to remove all the modified drivers and DLL patch.

Creative then released a newer official Audigy Vista driver (2.18.0000 as of 28 July 2008) due to public and consumer pressure. However, some form of agreement between Creative and Daniel K has been achieved, as he returned to the Creative forums, posting updated versions of his modified drivers. He released the final version of his modded driver package as of January 12, 2012.^[48]

Audio effects processor[edit]

Compatibility with Linux[edit]

All recent Linux distributions support Sound Blaster Cards via kernel drivers. In case of non-Plug-and-Play ISA cards, a configuration file in '/etc/modules' must be reconfigured, writing for example with Sound Blaster 16 Card installed: 'snd-sb16 isapnp=0'.

X-Fi series cards have basic support in Linux, however the advanced features like signal routing, relay control or external I/O consoles are not supported.

Support for the newer Sound Blaster cards (Z and AE series) was added to the kernel during 4.19-4.20 release timeframe.

See also[edit]

References[edit]

1. ^ ^ab'75 Power Players: Back at the Lab..'. Next Generation. Imagine Media (11): 73. November 1995.
2. ^http://www.vcfed.org/forum/showthread.php?59846-Creative-Music-System-Game-Blaster-clone&p=478654#post478654
3. ^Scisco, Peter (October 1989). 'Sound-board Duet'. Compute!. p. 10. Retrieved 11 November 2013.
4. ^[1]^{[dead link]}
5. ^[2]
6. ^'CT1310 model number for the Soundblaster 1.0 - a myth?'. Vintage-computer.com. Retrieved 12 July 2016.
7. ^'Creative Worldwide Support'. Support.creative.com. Retrieved 12 July 2016.
8. ^ ^abEnglish, David (June 1992). 'Sound Blaster turns Pro'. Compute!. p. 82. Retrieved 11 November 2013.
9. ^Weksler, Mike; McGee, Joe (October 1993). 'CGW Sound Card Survey'. Computer Gaming World. pp. 76–83. Retrieved 26 March 2016.
10. ^'Bumper Crop'. Computer Gaming World (advertisement). December 1993. p. 131. Retrieved 29 March 2016.
11. ^Leinecker, Richard (December 1989). 'Blast the PC Sound Barrier with this Creative Card'. Compute!. pp. 88–90.
12. ^Sound Blaster Optional Hardware & Software Catalog, Creative Labs Inc. (Page 2)
13. ^'Archived copy'. Archived from the original on 2013-12-25. Retrieved 2013-11-14.CS1 maint: archived copy as title (link)
14. ^'Sound Blaster'(PDF). Ibm-pc.org. Retrieved 2016-07-17.
15. ^'Soundblaster MCV'. Ps-2.kev009.com. Retrieved 12 July 2016.
16. ^'Creative/Tandy Multimedia Sound Adapter, 849-3030'. Vintage-computer.com. Retrieved 12 July 2016.
17. ^'Creative Labs Sound Blaster PCI 512 Sound Card'. Amazon.com. Retrieved 12 July 2016.
18. ^[3]^{[dead link]}
19. ^'Creative Sound Blaster Audigy 4 Pro'. Reviews.cnet.com. Retrieved 12 July 2016.
20. ^'Archived copy'. Archived from the original on 2013-09-28. Retrieved 2013-09-23.CS1 maint: archived copy as title (link)
21. ^'Archived copy'. Archived from the original on 2013-09-29. Retrieved 2013-09-23.CS1 maint: archived copy as title (link)
22. ^'CREATIVE UNLEASHES SOUND BLASTER RECON3D - A NEW AUDIO PLATFORM POWERED BY SOUND CORE3D - THE WORLD'S FIRST QUAD-CORE AUDIO AND VOICE PROCESSOR' (Press release). Creative Technology Ltd. 2011-09-01. Archived from the original on 2013-02-04. Retrieved 2013-05-10.
23. ^'Sound Blaster Recon3D Professional Audio Sound Card'. Asia.creative.com. 2012-09-16. Retrieved 2013-02-13.
24. ^'Creative Worldwide Support'. Support.creative.com. Retrieved 12 July 2016.
25. ^'Creative Revises Sound Blaster Recon3D with SBX Pro Studio'. Techpowerup.com. Retrieved 12 July 2016.
26. ^'Audio Made Clever :: What is CrystalVoice?'. Creative.com. Retrieved 12 July 2016.
27. ^'Creative Labs Sound Blaster Recon3D PCIe Fatal1ty Professional review'. Expert Reviews. Retrieved 2013-02-13.
28. ^'Creative Sound Blaster Recon3D Fatal1ty Professional PCI-Express Sound Card Review'. Compreviews.about.com. 2012-02-01. Retrieved 2013-02-13.
29. ^'CREATIVE INTRODUCES THE SOUND BLASTER Z-SERIES - A NEW RANGE OF ULTRA HIGH-PERFORMANCE SOUND CARDS DESIGNED FOR FUTURE GAMING AND ENTERTAINMENT AUDIOR' (Press release). Creative Technology Ltd. 2011-08-15. Archived from the original on 2013-05-10. Retrieved 2013-05-10.
30. ^'Creative Sound Blaster ZxR PCIe Sound Card Review'. 2013-04-08. Retrieved 2013-05-10.
31. ^'CREATIVE INTRODUCES THE SOUND BLASTER Z-SERIES - A NEW RANGE OF ULTRA HIGH-PERFORMANCE SOUND CARDS DESIGNED FOR FUTURE GAMING AND ENTERTAINMENT AUDIOR' (Press release). Creative Technology Ltd. 2011-08-15. Archived from the original on 2013-05-10. Retrieved 2013-05-10.
32. ^'Creative Sound Blaster Z and Zx Sound Card Review'. 2015-02-03. Retrieved 2019-05-14.
33. ^'Hands on: Creative Labs' Sound BlasterX AE-5 ups the audio for gamers'. PC World. 2017-06-12. Retrieved 2017-11-03.
34. ^'Creative Sound BlasterX AE-5'.
35. ^'Creative Sound BlasterX AE-5 Pure Edition'.
36. ^ ^abhttps://betanews.com/2019/07/09/creative-30-soundblaster-ae9-ae7/
37. ^'Sound Blaster AE-7'. Creative Store - United States. Retrieved 2019-07-27.
38. ^'Sound Blaster AE-7'. Creative Store - United States. Retrieved 2019-07-27.
39. ^Solca, Bogdan. 'Creative Labs showcases new Sound BlasterX AE-9 audiophile soundcard'. Notebookcheck. Retrieved 2019-02-01.
40. ^'Sound Blaster AE-9'. Creative Store - United States. Retrieved 2019-07-27.
41. ^'Sound Blaster AE-9'. Creative Store - United States. Retrieved 2019-07-27.
42. ^'Creative Launch Sound Blaster X - Pro Gaming Audio Gear'. Vortez.net. Retrieved 2016-07-17.
43. ^Wong, Marcus. 'Creative's new Sound BlasterX gaming headsets bring Ultra-realistic gaming experiences to today's gamers'. HardwareZone.com.sg. Retrieved 2016-07-17.
44. ^'Sound BlasterX H7 Headset Review'. Pcgameware.co.uk. 2016-06-06. Archived from the original on 2016-07-16. Retrieved 2016-07-17.
45. ^Daniel Brown (2016-04-20). 'Sound BlasterX G1: portable sound card for gamers'. Wovow.org. Retrieved 2016-07-17.
46. ^'Creative Worldwide Support'. Support.creative.com. Retrieved 2016-07-17.
47. ^'Pin Assignment of I/O Jacks and Connectors on Sound Blaster Devices'. support.creative.com. Retrieved 10 December 2016.
48. ^'SB Audigy Series Support Pack 4.0 (01/12/2012) - Final Version'. Forums.creative.com. Retrieved 2013-02-13.

Notes

• 'Creative Announces Sound Blaster 32' by Creative Technology on Usenet, June 23, 1995, retrieved January 5, 2006

External links[edit]

• 'Programming the AdLib/Sound Blaster FM Music Chips'. Archived from the original on 2011-07-20. Retrieved 2011-07-20.
• 'Sound Blaster 1.0 Principles of Operation'. 2019-01-19. Retrieved 2019-08-06.

Sound cards are not a component that most people think about when building or upgrading a PC. You settle for your motherboard’s built-in sound card because you can get HDMI sound out of a video card or USB sound from a dedicated headset. But for anyone who wants the absolute best possible audio from their PC, the discrete Sound Blaster AE-9 from Creative is an excellent choice.

The AE-9 is shipping now from Creative for $350. That’s a lot of money, but it comes packed with features to justify that price. And as someone who makes videos, it’s also turned into one of my most useful tools.

What you’ll like

Unmatched sound

The first reason to get a Sound Blaster AE-9 card is your love of audio. This device includes an ESS Technology digital-to-analog converter with a 129Db dynamic range. It supports up to 32-bit audio and encoders like Dolby Audio and DTS Connect. Creative also included its own Xamp that sends a separate power signal to the left and right headphone channels.

Unsurprisingly, all these gizmos help create sound that is loud and full with little-to-no distortion. The AE-9 is going to get the absolute best out of any decent headphones or speakers. On a track like Massive Attack’s “Angel,” the bass will boom and rumble without rattling like a subwoofer in the back of a cheap Camry. But that bass won’t overwhelm the popping cracks of the percussion.

That translates into gaming where intense combat sequences can often muddy the sound of headphones and speakers. Creative’s AE-9 has the power the accuracy to distinguish between every weapon and voice during a firefight. And then in quiet moments, you get every little detail and subtlety of the sound design. In a level like Sigil in Hitman 2, even the quiet can feel overwhelming with the blowing ocean breeze, crashing waves, and large murmuring crowds.

Along with the top-notch hardware, you also get Creative’s excellent sound-processing software. The company has spent years improving its tech, and you can take full advantage of that with the press of a button or in the Sound Blaster Commander software. While everything sounds great in “Direct mode” with no processing, you can boost some lower-quality audio sources with this SBX feature. I like it for YouTube, in particular, which is never better than an over-compressed stereo signal. SBX can give make music and other content on YouTube sound more robust and alive.

Regardless of what you’re listening to, the AE-9 has the capability to blow you away. It’s wiping the interior walls of my cranium with my brain’s gray matter right now, and I love it.

Handy breakout box

One of the big reasons that the AE-9 is going to end up easily worth $350 for many people is because of its breakout box. This device connects directly to the internal sound card and provides you with an easy way to control your audio.

It has a big knob to easily adjust your volume level. You can also long-press the volume knob to switch between headphones and speakers. The breakout box also has a switch for headphone impedance. You can switch between IEM (in-ear monitors), Normal (headphones), and High (high-impedance headphones). This helps you quickly ensure you are getting the most from your headphones without having to go into software to ensure you don’t blow out their speakers.

The box also has the previously mentioned SBX button as well as a +48V Phantom power button. Again, these are about quickly empowering you to turn features on and off without having to go into the Commander app. With SBX, you can activate or deactivate your current sound profile. The +48V option enables you to give power to an XLR microphone.

Tons of useful I/O

Speaking of XLR, that’s just one of the many extra ports on the breakout box and the card itself. I love having the XLR port because it enables me to plug a mic like the AT2020 from Audio Technica without also requiring an additional, dedicated audio interface.

Audio professionals are likely still going to want their interfaces for recording, but the AE-9 is enough for me when I want to create podcasts or YouTube videos. And it’s significantly better than any of the USB microphones I’ve used. Having XLR is such a huge benefit for anyone who is thinking about upping their audio quality for online content.

But the breakout box also has inputs for 6.35mm and 3.5mm microphone and headphone jacks. Then on the card itself, you also have optical in/out and then all of the connectors for a surround-sound speaker system.

What you won’t like

Challenging installation

The biggest issue I encountered with the AE-9 was the installation. The breakout box requires extra power, so you need to connect a 6-pin power cable to the card. But chances are that if you are buying a $350 sound card, you probably also have a power hungry GPU as well. You may not have an extra 6-pin laying around.

I used a Molex-to-6-pin adapter, which connects two Molex power connectors to one 6-pin. I asked Creative, and it said this will work fine. But the point is that you are likely going to have to figure out a way to get another 6-pin from your PSU up to your sound card. And for many people, that could prove difficult.

No direct mic monitoring

The only other issue is that the AE-9 doesn’t have any internal mic monitoring. This feels like a major oversight, but it’s also something I’ve grown frustrated with across the board when it comes to PC microphones. I like monitoring because I want to hear my voice as I’m speaking to ensure that everything sounds decent. At the same time, I don’t want any noticeable delay because the echo makes it difficult to concentrate on what you’re saying.

Sound Blaster Software Free Download

Unfortunately, the AE-9 only has a “listen to this mic” feature which introduces enough of a lag that I could never use it when actually trying to create audio content. But it’s not like other microphones get this right. Even mics with latency-free monitors have issues with connecting gain and volume to your monitoring level so it’s impossible to hear yourself while also ensuring that your game sound won’t blow your ears off your head.

Audigy Sound Blaster Software

Conclusion

Creative Sound Blaster Software Windows 10

The AE-9 is an all-around great device, and you can what you pay for. Many of you probably don’t need a $350 sound card, but it’s definitely something I would consider if you are looking to improve the immersive quality of your gaming and media. And it’s especially worth the price if you want to upgrade from a USB mic like the Blue Yeti to an XLR mic instead.

Sound Blaster Connect Software

I highly and enthusiastically recommend it. It’s one of those devices that is great at what it’s trying to do while also solving problems and eliminating the need for other devices.

Sound Blaster Software Download

Creative Sound Blaster AE-9 is available now for $350. Creative provided a sample unit to GamesBeat for the purpose of this review.